At 7:24 on the morning of June 29, 2005, after 14 months of restoration costing $300,000, the Nylex clock was back on! And jammed. Time was standing still. Some sort of computer error. Fixed eventually, but now, mere months later, like some dodgy string of blinking globes around a Milk Bar sign, it's already lost lights again. Nylex's promise of "Every Time" now reads "Ever Time", which I find kind of amusing. Not as amusing, of course, as the time that I saw a glowing Red Rooster sign where the light had gone out in the 's', but "You'll tell the grandkids" experiences like that only come along every so often! In addition, the outlined 'N' in Nylex is also missing in action, so $300,000 well spent then.
I've never quite understood the appeal of the Nylex clock. I don't understand why it holds such a special place in the hearts of the community. It’s just a piece of corporate signage, isn’t it? Very old corporate signage, sure, but corporate signage none the less. It’s a nice treatment of the Nylex logo, with the lights and all, but if McDonalds or Nike rendered their logo in lights and bunged it on top of a silo for 44 years, would people be as enamoured? What's so special about Nylex? Do people just love their plastics so much that they now view Nylex as family? I guess people could love it because they've grown up with it as a part of the landscape, and now it's an icon of their childhood, or years gone by, or something?
So, what about the old Foxtel sign that used to sit below the Nylex clock? People hated that Foxtel sign. They weren’t even impressed by its enormous size, which you would have thought would count for something, given our love of Big things here in Australia. If the Foxtel sign had stuck around for 44 years, would opinions have changed? Would it have worked its way into our hearts, to the point that the general public would’ve been happy to pay to have it maintained? Would people view it with the warmth of nostalgia, and speak of it fondly like an old friend? Why is Nylex better than Foxtel?
Incidentally, the Foxtel sign was the largest sign in the Southern Hemisphere, and so bright that at night it lit up the rooms of the houses opposite it like day time. A friend of mine who worked for Foxtel told me that the residents took the company to court over the sign and its nova-like brightness. Telstra eventually came to an out-of-court settlement where they supplied every affected home with new, extra thick curtains! Creative thinking.
So Foxtel didn't last but Nylex is still there. Maybe it's because Nylex is representative of our inner suburban, working class roots? It represents all the factory workers who lived and toiled in Richmond before it became fashionable and expensive? The sign doesn't represent a company and its products, but a local narrative of hard work and hard conditions. Could be; it's not a history I can say I know much about.
Sunday, October 16, 2005
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11 comments:
I think the special place that the Nylex Clock holds in our collective heart is due at least in part to its location; anyone who commutes along either Punt Rd/Hoddle St or Citylink sees it every day.
That's a lot of people for whom it is part of their daily life.
(There's also the Paul Kelly song, of course.)
More interesting - perhaps not in a typographical sense, but certainly in a cultural one - is the Skipping Girl Vinegar sign. Why is it still there?
Some more thoughts on Nylex:
The first dealings most Nylex customers would have with the brand would coincide with an (dare I use the word) aspirational phase of their lives.
When you buy your own quarter-acre in the suburbs, you're going to need Nylex hoses and fittings. And thus is the brand image entangled with those of the "Australian Dream".
There's also the utilitarian point - the clock is visible from many places and continuously provides two pieces of useful information. One should never underestimate the goodwill that even inanimate objects can earn simply by being useful.
If the Foxtel sign had stuck around for 44 years, would opinions have changed? Would it have worked its way into our hearts, to the point that the general public would’ve been happy to pay to have it maintained?
Wasn't the restoration of the Nylex sign paid for by Nylex?
You seem to be saying that merely seeing something every day is enough, in part, to make it special or of significance. I see a sign every day on Russell St that tells me how many free parking spaces there are, and I still couldn't care less about it.
And the Paul Kelly song only supports my argument! Listening to a Paul Kelly song is like being dragged through mud and then slapped. Surely it doesn't engender warmth in the hearts of those who hear it? Surely...
I think the Skipping Girl sign is still there because it gave the marketers a unique selling point when advertising the apartment block that the factory got converted into.
Wouldn't Foxtel be a more conspicuous part of the aspirational phase of life? If I got me a quarter-acre I think I'd be after Foxtel and a hose, not cable and a Nylex hose.
I guess the sign does provide a useful service, although I think most people who travel past the sign would have at least one of them duplicated on their dashboard.
Wasn't the restoration of the Nylex sign paid for by Nylex?
Well as the Nylex sign is Heritage listed I would assume that at least part of the funding would have come from taxpayers? I could be wrong.
Incidentally, I found this on the Heritage Register Online:
The Nylex sky-sign is of historical significance as one of a collection of signs marking Victoria's industrial heritage in Richmond. Richmond has the greatest concentration of surviving sky-signs in the state. Of all the signs, which include the Skipping Girl, Victoria Bitter, Slade Knitwear and the Pelaco signs, the Nylex sign is the most prominent. These large sky-signs which used to be a prominent feature of the Melbourne skyline are increasing in rarity with the demolition of such notable signs such as Allen's at Southbank and Atlantic Ethyl and Shell Petroleum's rolling dice at St Kilda Junction. The Nylex sign is of further rarity as it the only major sky sign in Melbourne that uses such a range of lighting media. These signs have strong associations with the industrial base of the former City of Richmond, important in the economy of Melbourne but which also contributed to the well being of the national economy. Nylex, the largest plastics manufacturer in Australia, and the first to be established (1927), grew from premises below the sign in Cremorne Street.
The Nylex sign is of social significance for its landmark qualities. The sign dominates the view along the major thoroughfares of Punt Road and Hoddle Streets and because of its location at the entrance to the South Eastern Freeway the Nylex sign is considered the unofficial gateway into Melbourne. The clock and temperature display is a constant point of reference for residents and motorists.
This recognition factor has entered the sign as a part of popular culture and has given the sign an iconic quality. Its mention in the Paul Kelly song Leaps and Bounds has given the sign an identity that extends beyond Melbourne.
That's interesting. And there's your bloody Paul Kelly song. :-)
Oh my gosh! I just heard 'Leaps and Bounds' on the radio! That's weird. I can't remember the last time I heard it, and now there it is! I'm only listening to Vega FM because they've got Shaun Micallef, but if it means I'm going to have to weave through a Paul Kelly minefield, I may have to think again.
Was it 'Weddings, Parties, Anything' that the Late Show parodied with their song 'No More Melbourne Cliches'? It could so easily have been Paul Kelly.
You seem to be saying that merely seeing something every day is enough, in part, to make it special or of significance.
"In part", certainly. Maybe not "enough". In this case however, the utilitarian and historic aspects also come into play.
Paul Kelly... the horror... the horror...
Whatever your opinion of him, it's hard to deny that there a small group of deluded misfits who like his music, so it would be negligent not to acknowledge Leaps and Bounds when considering the iconic status of the Nylex sign.
I think the Skipping Girl sign is still there because it gave the marketers a unique selling point when advertising the apartment block that the factory got converted into.
True, as far as it goes. Which one of us is the cynic again?
But the most recent restoration of the sign does predate the apartment block (and indeed most of the gentrification of Richmond/Abbotsford) and was done long after "Skipping Girl" vinegar had ceased to grace the tables and stores of our fair city.
The preservation of the Nylex sign can at least be explained by the fact that Nylex are still in business - with a website and everything (http://www.nylex.com.au/) and so the big corporate ad still serves its original purpose of being a big corporate ad.
Wouldn't Foxtel be a more conspicuous part of the aspirational phase of life?
Foxtel is a ten-year old brand. Nylex is about 80 years old. Get back to me in about 2075 for the answer to that one. (although you'll have to brave spoilers about the results of the battle between Peter Wiggin and Kyp Durron.)
If I got me a quarter-acre I think I'd be after Foxtel and a hose, not cable and a Nylex hose.
OK, here's the thing, and the reason I tied this semi-ironically to the A-word. Nylex products are used for garden maintainence, and most people are more likely to invest their time and money in maintaining a nice garden when its for their benefit, rather than their landlord's.
(Which is not to say that some people don't garden for their own aesthetic pleasure, but I digress again.)
As for Foxtel, well the Foxtel experience doesn't really change too much when you change from being a renter to being an owner.
I guess the sign does provide a useful service, although I think most people who travel past the sign would have at least one of them duplicated on their dashboard.
The drivers, certainly. Train and tram passengers, not so much...
Well as the Nylex sign is Heritage listed I would assume that at least part of the funding would have come from taxpayers? I could be wrong.
I couldn't find any reference in all the news stories I googled to suggest anyone but Nylex was involved in the restoration. Of course, absence of evidence is not evidence of absence. But consider...
All Heritage Listing Status demands is that Nylex can't tear it down. (as indeed can't whoever owns the Skipping Girl sign tear that down.)
It doesn't require that the sign be restored to working order (as indeed the Skipping Girl sign hasn't been) and it certainly doesn't provide funds to do so. (Probably why the Skipping Girl sign is still dark.)
Nor should it, in my opinion. If the owners of the sign want to restore their sign, more power to them.
Presumably Nylex want a nice big iconic advertisement - forever linking their brand of garden fittings to the culture of the city - more than the owners of Skipping Girl Apartments want a big buzzing neon sign overheard while they (or their tenants) are trying to sleep.
Only in such a young country with very little history or heritage could we become so obsessed with such a sign. I think we are grasping at straws ...
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